My Dies Irae photo included in the ARTI 2.020 show
My photo, Dies Irae, has been included in Arti et Amicitiae’s ARTI 2.020 show, the third edition of its Summer Salon. The title (Day of Wrath) is my response to…
My photo, Dies Irae, has been included in Arti et Amicitiae’s ARTI 2.020 show, the third edition of its Summer Salon. The title (Day of Wrath) is my response to…
I’m honoured to be in the 2019 Polranny Pirates yearbook, which was edited and designed by Connie van Gils & Joost Bruins of Bogwood Publishers, Amstelveen. Since 2008, the Polranny…
I'm delighted to have been chosen as a member of the visual arts club Arti et Amicitiae. The name means art and friendship, which neatly encompasses the flavour of the…
Recently I was delighted to be the subject of Catherine Gates’ latest blog post on Architectural Comment: Touch the Ground Vicariously. A trained architect, Catherine’s writing is highly relevant to…
For this exhibition at the Stronach Gallery in Ballycroy National Park Visitors Centre in Ireland, I created a panel of nine separate works on the subject of County Mayo. This…
Following its outings to Liverpool's Walker Art Gallery and the Birmingham Museums, my work Hiding the Wound; Homage to Mr. Freud is now at the Highlanes Gallery in Drogheda (Ireland)…
Next summer I will be artist in residence at the Ness of Brodgar archaeological dig, which is a UNESCO World Heritage Site. This wonder of the ancient world covers 2.5 hectares…
For the last month I've been sharing a studio with the distinguished artist Stanley Cursiter. This is not on a literal level: He used this space as a young man…
A talk about my work “Hiding the Wound: Homage to Mr. Freud” was held recently as part of the Coming Out exhibition at Birmingham Museums & Art Gallery. It was given by the very eloquent Andrea Bonnell and attended by a lively audience of staff members and general public.
I made this piece back in 1979 in response to Freud’s implication that women are “imperfect” and therefore inferior to men. Here, the act of sewing was not only a light-hearted reaction to the female experience of male supremacy but also, and more seriously, a symbolic surgical suture representing the desire for sexual autonomy. But that was then and, I wondered, how would people react nowadays to “Hiding the Wound”?
Andrea’s talk was deservedly a huge success and was followed by some very thought provoking discussions. Some people even took the trouble to leave written comments to be passed on to me. Here’s a selection: “Thank you for being bold and expressive. And for challenging constructs which pass others by. Your works seems even more relevant today and it feels like something which is essential to revisit periodically to redefine its meaning and relevance in the movement.”and “Simplicity and ‘non-drama’ make the piece resonate because female sexuality should not be an issue, nor a trophy for men.”
This is my Lost in Time poster for my upcoming, eponymous show at the Northlight Gallery in Stromness, Orkney. It was also my first venture into using PhotoShop as a graphic…